There is but one democracy. But democracy is doubled. Because there is a schism at the heart of democracy. That schism is the constant threat to democracy of being reduced to democratism. It is a necessary threat, and the threat is also the chance. The threat to democracy which is at the same time its chance is its own principle: that everyone in a democracy has the right to criticise it. Criticise everything about it, including this principle and the law on which it is founded but which in truth it founds. And if it seems to us that art is the space in which such criticism is carried out to more effect than in the political system called democracy it is because politics is the reduction of democracy to democratism. For this reason we must be wary when face-to-face with political art and vigilant not to allow art to claim the political for itself. Because art then loses the right to say anything. Democracy is the most open political paradigm, but it is not simply open. Its openness is doubled. It is doubled because art takes something away from democracy and in taking away gives it a space it would not otherwise have. Art withdraws something of democracy’s openness and opens it elsewhere. Art’s democraticness is thus not coextensive with the democracy it is drawn from. Nor Democracy’s self-critical questioning with the self questioned.
Jonathan Lahey Dronsfield, ‘Douglasistic Democracy’, Kim Kim Gallery, art:gwangju:12.
Aug. 2012
London
by Jonathan Lahey Dronsfield
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