Label:
Institution Of Rot Editions – none
Format:
CDr, Mini-Album, Limited Edition
Country:
UK
Released:
2010
Genre:
Electronic, Non-Music
Style:
Experimental, Field Recording, Spoken Word, Noise, Poetry, Drone, Dialogue, Free Improvisation, Speech, Musique Concrète
Tracklist Hide Credits
1 A Blind Field
Music By – Lucia Farinati, Marcello Simeone, Nick Couldry, Paul Obermayer, Richard Crow Vocals – Lucia Farinati Voice – Andrew McKenzie, Douglas Park, Dr. Recordati, Gaston Modot, Lya Lys, Pamela Franklin, Rachel Baker, Richard Crow Voice, Adapted By (Text) – Nick Couldry Voice, Text By – Adam Bohman, Douglas Park, Iain Sinclair, Jonathan Bohman
20:30
Credits
* Mixed By – Richard Crow
Notes
from Cover
A Blind Field - Recordings Made With Objects That Were Part Of The Original Collection Of The Institution Of Rot, Objects Which No Longer Exist But Whose Visual, Aural And Technological Remains Are Preserved In The Institution Of Rot Archive
Originally streamed as part of a podcast (4 June 2010) for HaVE A LoOK! HAve a Look! 7 May - 11 July 2010 at FormContent, London
http://formcontent.org/exhibitions/have-look-have-look/
1. A Blind Field (2010) 20:30
Institution of Rot
(Richard Crow and Lucia Farinati)
A Blind Field - A Collection of Sound Recordings
Made at The Institution of Rot, London (somewhere between 1992 to 2009)
Selected and Mixed by Richard Crow April - May 2010
You are invited to listen to what happened beyond the frame and behind the picture. A Blind Field of sound sources gathered in the 'house with objects' as well as the numerous voices which resonated within it
Richard Crow, Lucia Farinati 2010
Richard Crow with Lucia Farinati : Institution of Rot archive : A Blind Field (2010)
Richard Crow with Lucia Farinati : Institution of Rot archive : A Blind Field (2010); 20:30min
Broadcast on Monday 22 at 06:03PM
Broadcast on Monday 22 at 06:03PM
R E C O R D I N G S
M A D E
W I T H
O B J E C T S
T H A T
W E R E
P A R T
O F
T H E
O R I G I N A L
C O L L E C T I O N
O F T H E
I N S T I T U T I O N
O F
R O T
OBJECTS
WHICH
NO
LONGER
EX I ST
BUT
WHOSE
VISUAL
AURAL AND
TECHNOLOGICAL
REMAINS
ARE
PRESERVED
IN
THE
INSTITUTION
OF
ROT
ARCHIVE
M A D E
W I T H
O B J E C T S
T H A T
W E R E
P A R T
O F
T H E
O R I G I N A L
C O L L E C T I O N
O F T H E
I N S T I T U T I O N
O F
R O T
OBJECTS
WHICH
NO
LONGER
EX I ST
BUT
WHOSE
VISUAL
AURAL AND
TECHNOLOGICAL
REMAINS
ARE
PRESERVED
IN
THE
INSTITUTION
OF
ROT
ARCHIVE
YOU ARE INVITED TO LISTEN TO WHAT HAPPENED BEYOND THE FRAME AND BEHIND THE PICTURE . A BLIND FIELD OF SOUND SOURCES GATHERED IN THE “HOUSE WITH OBJE CTS “.
AS WELL AS THE NUMEROUS VOICES WHICH RESONATED WITHIN IT.
AS WELL AS THE NUMEROUS VOICES WHICH RESONATED WITHIN IT.
Biographies:
Richard Crow is an inter-disciplinary artist working in the field of experimental audio research, live performance and site-specific installation. He utilises sound and noise in a performative way and for its disruptive and subjective qualities and above all for its psycho-physical implications for the listener and viewer. Over the past two decades his solo and collaborative site-specific installations and performances have consisted of highly conceptualized interventions into base materiality, investigations of alternative systems of organisation and research into a certain material decadence, most notably with the project The Institution of Rot which he co-founded with the writer Nick Couldry in 1992. Since 2007 Crow has collaborated with Sound Threshold, which was established by Daniela Cascella and Lucia Farinati. Since the mid 80s Crow has collaborated, performed, and recorded with a number of noted experimental musicians and sonic artists including Joe Banks, Zan Hoffman, Adam Bohman, Richard Barrett, Furt, The Hafler Trio, Clive Graham, Michael Prime, Dean Roberts, Kaffe Matthews, Michael Morley (Gate, The Dead C), Sandoz Lab Technicians, dy’na:mo,The Bohman Brothers, Gintas K, Alexsander Kolkowski and the collective e-Xplo. Crow has shown extensively in Europe, and internationally including Russia, Canada, Australia and New Zealand.
Richard Crow is an inter-disciplinary artist working in the field of experimental audio research, live performance and site-specific installation. He utilises sound and noise in a performative way and for its disruptive and subjective qualities and above all for its psycho-physical implications for the listener and viewer. Over the past two decades his solo and collaborative site-specific installations and performances have consisted of highly conceptualized interventions into base materiality, investigations of alternative systems of organisation and research into a certain material decadence, most notably with the project The Institution of Rot which he co-founded with the writer Nick Couldry in 1992. Since 2007 Crow has collaborated with Sound Threshold, which was established by Daniela Cascella and Lucia Farinati. Since the mid 80s Crow has collaborated, performed, and recorded with a number of noted experimental musicians and sonic artists including Joe Banks, Zan Hoffman, Adam Bohman, Richard Barrett, Furt, The Hafler Trio, Clive Graham, Michael Prime, Dean Roberts, Kaffe Matthews, Michael Morley (Gate, The Dead C), Sandoz Lab Technicians, dy’na:mo,The Bohman Brothers, Gintas K, Alexsander Kolkowski and the collective e-Xplo. Crow has shown extensively in Europe, and internationally including Russia, Canada, Australia and New Zealand.
http://www.basic.fm/richard-crow-with-lucia-farinati-institution-of-rot-archive-a-blind-field-2010/
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